The original Magneto tape emulator pays tribute to the days when Steinberg first introduced the VST standard.
Since it has been on the market for a long time, it can be found in many well-known works as an alternative to basic saturators. It’s not the ultra-precise tape model we might expect from modern plugins, but it does provide a tasty saturation that sounds really good. This plugin has been around for many years, becoming really vintage in a way. With this basic knowledge in place, let’s check out a dozen of our favorite tape emulation plugins. This means that added harmonics disappear quickly as they become higher in frequency, more like a triangular wave than a square wave. There is no unexpected hard ceiling like in the AD converter – instead, there is a smooth curve that begins to round and tame the peaks in the signal long before they reach the limit. The tape approaches this limit very gradually and carefully. There are several common characteristics we associate with tape sound, the most important of which is saturation.
Various lineups were also available: the humble compact cassette had three general types (iron, chrome and metal), each of which sounded very different, and three possible different noise cancellation systems (Dolby B, C, or S, although the latter is rare).
Softube tape vs waves professional#
The tapes were in different widths, from two inches to 1/8 “for compact cassettes and tape speed can range from 30 ips on a professional machine to as little as 1,875 ips on a compact cassette. There are many types of cassette decks today: later models can achieve extremely high fidelity, while earlier or cheaper models can significantly color the sound before it even hits tape.
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